Claudia Barrett, ‘Robot Monster’ femme fatale, dead at 91

Claudia Barrett, finest identified for her position as Alice within the 1953 sci-fi “Robot Monster,” has died at 91.

Barrett’s family announced the actress handed away of pure causes at her Palm Desert, California, house on April 30.

Born in Los Angeles in 1929, she started to behave at the Encino Theatre and research at Pasadena Community Playhouse following her highschool commencement. Barrett then went on to concentrate on tv roles, together with “77 Sunset Strip,” “Death Valley Days” and “The Roy Rogers Show,” together with a wide range of programming.

Barrett continued a gradual profession by buying a number of movie roles, together with the cult traditional, “Robot Monster.”

A low-budget, sci-fi 3D movie, “Robot Monster” has turn into certainly one of Barrett’s most infamous roles, together with being topped “one of the worst films of all time.” Given the period, the movie’s fast manufacturing and technical skills have been praised, though, it nonetheless stays most well-known for its campiness and cult viewers.

Claudia Barrett alongside her "Robot Monster" co-stars George Nader and John Mylong.
Claudia Barrett alongside her “Robot Monster” co-stars George Nader and John Mylong.
Courtesy Everett Collection

“Robot Monster” follows the story of an alien robotic villain, named Ro-Man, who has taken an affinity with Alice. The actress was adored her complete life by followers of the cult movie and continued to obtain fan mail. Regardless of the movie’s poor reception, Barrett remained loyal to the movie and manufacturing.

“When you decide to make a movie, the decision is made for various reasons: money, fame, or working with a particular star or director. I just wanted to act. I was a professional actress for 14 years, and I really loved the business. An ‘Robot Monster’ was a movie I enjoyed making”

— Claudia Barrett, “Screen Sirens Scream!”

Barrett used her present enterprise data off-screen, too, ultimately switching gears from performing to publicity and distribution. In 1981, she grew to become an worker for the Academy of Motion Picture Arts and Sciences, the division that acknowledges and awards movies for his or her scientific and technical development — and spearheads the glitzy annual Oscars ceremony.

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